Spring 2026
March 2026
March 5
Die Zauberflöte
Wolfgang Amadeus Mozart
Vienna Philharmonic
Sir Georg Solti, conductor
A noble prince, trying to save his true love, a humorous Birdcatcher, trying to find his true love, an angry Queen of the Night, three spirits, and three ladies all come together in this well-known operatic staple. The Magic Flute was premiered in 1791, just two months before Mozart’s death.
March 12
Fidelio
Ludwig van Beethoven
Chicago Symphony Orchestra and Chorus
Sir Georg Solti, conductor
Beethoven’s only opera, known as a rescue opera. Fidelio (Behrens), who is known as Leonore, tries to rescue her husband Florestan (Hofmann), who is being held as a political prisoner. The music is dramatic, exuberant, and exciting.
March 19
Membership Drive
Great operatic excerpts, sung by singers we know and love.
March 26
Lohengrin
Richard Wagner
Vienna State Opera / Vienna Philharmonic
Sir Georg Solti, conductor
Written in 1850, Lohengrin is one of Richard Wagner’s most celebrated music dramas. The dramatic action, characters, and instrumental music all work together to create an exciting listening experience. The bridal chorus from this work is a favorite for wedding processionals. (Archival recording by the late Al Ruocchio)
April 2026
April 2
Cavalleria Rusticana / Pagliacci
Pietro Mascagni / Ruggero Leoncavallo
National Philharmonic Orchestra
Giuseppe Patanè, conductor
Known as Cav/Pag, these two operas have been performed as a double bill since 1893. They are prime examples of verismo, focusing on the lives of common people.
April 9
La Fanciulla del West
Giacomo Puccini
Orchestra e Coro dell’Accademia di Santa Cecilia, Roma
Franco Capuana, conductor
Set in California during the Gold Rush, La Fanciulla del West was composed just after Madama Butterfly. Immensely popular, its American premiere at the Met was in 1910. Enrico Caruso sang the role of Dick Johnson.
April 16 – Double Bill
King Arthur
Henry Purcell
The English Concert and Choir
Trevor Pinnock, conductor
The plot of King Arthur revolves around the battles between King Arthur and the Saxons. It is an engaging work with appearances by Cupid, Venus, and Merlin the magician.
April 16 (continued)
Dido and Aeneas
Henry Purcell
Il Pomo d’Oro
Maxim Emelyanychev, conductor
A new sumptuous recording of Dido and Aeneas with Joyce DiDonato singing the role of Dido, the Queen of Carthage.
April 23
Rigoletto
Giuseppe Verdi
Orchestra e Coro del Teatro Comunale di Bologna
Riccardo Chailly, conductor
Filled with drama, intrigue, and deception, Verdi’s masterpiece had a triumphal premiere in 1851 and has remained a staple in the operatic repertoire. (Archival broadcast by the late Al Ruocchio)
April 30
Der Rosenkavalier
Richard Strauss
Staatskapelle Dresden
Bernard Haitink, conductor
Strauss’ most popular opera during his lifetime, Der Rosenkavalier is filled with levity. The score is replete with wonderful waltzes and virtuosic singing.
May 2026
May 7
THAÏS
Jules Massenet
Opera and Orchestra de Bordeaux
Yves Abel, conductor
Thais, an Egyptian courtesan, is converted to a life of penitence. She is taken to a convent and lives her life in the care of the abbess. Paphnutius, a holy man, is changed by the vision of Thais, and becomes obsessed with gaining her love. Renee Fleming and Thomas Hampson lead a stellar cast in this sumptuous recording.
May 14
Carmen
Georges Bizet
London Philharmonic Orchestra
Sir Georg Solti, conductor
Bizet never visited Spain but imbued this most popular opera with vivid, vibrant melodies from that country. Since its first performance in 1875, it has remained a favorite of opera goers worldwide. Tatiana Troyanos, as Carmen, leads a stellar cast.
May 21
Lakmé
Léo Delibes
Chœur & Orchestre du Capitole de Toulouse
Michel Plasson, conductor
Lakmé is filled with beautiful and exotic music. Set in India, the plot revolves around the tragic love story between Lakmé and Gérald. The score includes the enchanting and familiar Flower Duet and Bell Song.
May 28
Samson et Dalila
Camille Saint-Saëns
Orchestre de Paris
Daniel Barenboim, conductor
Camille Saint-Saëns brings this Biblical story to life. The hero Samson is seduced by the Philistine Dalila, but through his faith regains his strength. (Archival broadcast by the late Al Ruocchio)