This Week at The Classical Station

(The Gods Sing and Dance for Shiva and Parvati, attributed to Khushala, Indian, c. 1780-1790)

The point is not to take the world’s opinion as a guiding star, but to go one’s way in life and working unerringly, neither depressed by failure nor seduced by applause.

~ Gustav Mahler

This Week at The Classical Station

by Chrissy Keuper


Saturday and Sunday, 22-23 February 2025

It’s the weekend, Listeners! We are honored to provide the soundtrack to all of your weekend plans.

 

Saturday:

This week’s Saturday On Point features the ballet La Bayadère by Ludwig Minkus, along with other selections from the ballet stage. Join Peggy Powell at 1pm ET.

 

Then, Haydn Jones hosts your Saturday Evening Request Program at 6pm ET. Peruse the playlist here and make requests for next week’s programs here.

 

Sunday:

Spend your sacred Sunday mornings with Great Sacred Music and performances by Branford Marsalis, the Choir of St. Paul’s Cathedral, London, and the ensemble Cappella Coloniensis, with works by John Rutter, Adolphus Hailstork, George Frederic Handel, and more. Our featured work is Johann Sebastian Bach’s Cantata 181, Leichtegesinnte Flattergeister. Join us at 8am ET, right after Sing for Joy.

 

And tune in at 6pm ET for Preview! with Tom Hayakawa and some recent releases from the classical music world.

 

On these dates in the history of classical music:

Niels Wilhelm Gade, c. 1878. (Photo by Carl Krause (Frankfurt) – Courtesy of Bibliothèque nationale de France)

Danish violinist, organist, composer, and conductor Niels Wilhelm Gade was born in Copenhagen on February 22, 1817. Gade’s father made instruments and Gade was expected to carry on the trade, but he was a skilled musician even as a child and his parents couldn’t deny his talent. Although he took some early violin lessons, he was largely self-taught, especially as a composer; nevertheless, his first professional position was as a violinist in the Royal Danish Orchestra and the orchestra performed his first compositions, including the overture Efterklange af Ossian (Echoes of Ossian). Felix Mendelssohn conducted the premiere of Gade’s Symphony No. 1 in Leipzig in 1843, which led to Gade’s international fame and garnered him a royal fellowship as both a teacher in the Leipzig Conservatory and assistant conductor of the Gewandhaus Orchestra. He was forced to return to Denmark in 1848 when the nation was at war with Prussia, but he was named director of the Copenhagen Musical Society (Musikforeningen) and organist at Holmen Church in Copenhagen, both tenures that lasted until his death in 1890. Gade was also joint director of the Copenhagen Conservatory. He is regarded as one of the leading Danish musicians and composers of the Danish Golden Age (19th century) and his influence on Danish music can be heard in the music of his students Edvard Grieg, Carl Nielsen, and others.

Elinor Remick Warren, c. 1920s. (Bain News Service – Courtesy of Library of Congress)

American composer Elinor Remick Warren was born February 23, 1900, in Los Angeles, California, to musical parents: her father was a singer and her mother a pianist and former student of Franz Liszt. Warren trained early as both a pianist and a composer, and she had her first works published before she had graduated from high school. She had a year of college in California before heading to New York for private composition studies and for work as an accompanist for singers, and she was soon in demand as a virtuoso pianist and a composer. Warren performed with the Los Angeles Philharmonic and made recordings before composing her largest works to date, a choral and orchestral work called The Harp Weaver and her symphonic The Legend of King Arthur. She wrote more than 200 works, many of which were performed and well-known during her lifetime.


Friday, 21 February 2025

Happy Friday, Listeners!

 

It’s All-Request Friday (10am-10pm ET) and then we’ll play your favorites and dedications again tomorrow on the Saturday Evening Request Program (6pm-12am ET).

Check the playlists to see what will play when, and make your requests and dedications for next week.

 

HEADS-UP: Ticket Giveaway

Next Wednesday (February 26th between 11am-12pm ET) on Classical Café, George Leef will give away a pair of tickets to see the North Carolina Symphony perform The Ring Without Words, which features orchestral works from the four operas that make up Richard Wagner’s Der Ring des Nibelungen (The Ring of the Nibelung): Das Rheingold (The Rhinegold), Die Walküre (The Valkyrie), Siegfried, and Götterdämmerung (Twilight of the Gods).

Tune in and win!

 

On today’s date in the history of classical music:

Drawing of Andrés Segovia in recital in the Concerts Ysaye in Brussels, c. 1932. (Drawing by Hilda Wiener – Courtesy of Wikimedia Commons)

It’s the birthdate of Spanish guitar virtuoso and composer Andrés Segovia in Linares, Jaén, in 1893. Segovia first had lessons in violin and his musical talent was obvious to his uncle and aunt (who raised him). They moved him to Grenada so that he would have access to more musical studies, though in many ways, Segovia was largely self-taught. He soon chose the guitar, but preferred the works of classical composers like Fernando Sor and Francisco Tárrega to the popular flamenco music of the day. His first performances were in Granada and Madrid and included works by Tárrega and his own transcriptions of works by Johann Sebastian Bach; he then toured Europe and South America, meeting other musicians and composers who would soon write guitar works specifically for him (Miguel Llobet, Alexandre Tansman, Agustín Barrios, Manuel de Falla, Joaquín Rodrigo, and many others). Segovia performed, recorded, and taught worldwide until the late 1970s; he won the 1958 Grammy Award for Best Classical Performance, Instrumentalist, and his students include guitarists like John Williams, Christopher Parkening, Julian Bream, and many others. He composed dozens of works for guitar, and was celebrated (and sometimes chastised) for advancing guitar technique. Also: The main-belt asteroid 3822 Segovia is named for him.


Thursday, 20 February 2025

Happy Friday Eve, All!

We hope you’re having a wonderful week and we thank you for spending it with The Classical Station.

 

Tomorrow is All-Request Friday, so check out the playlist to see what your fellow listeners have asked to hear and then make your requests and special dedications for next week right here.

 

This evening’s Thursday Night Opera House is the 1989 recording of Seiji Ozawa conducting l’Orchestre National de France, les Choeurs de Radio France, and legendary soloists in Jacques Offenbach’s Les Contes D’Hoffmann (The Tales of Hoffmann). Hoffmann (Placido Domingo) tells stories of his past loves as he and his rival Lindorf (Andreas Schmidt) pass the time in a tavern, waiting for the arrival of the opera singer they both love. Join Dr. Jay Pierson at 7pm ET for this classic and colorful opera.

 

On this day in classical music history:

Nadine Conner, c. 1937. (Photo by CBS Radio, CBS Photo – Courtesy of Wikimedia Commons)

It’s the birthdate of American soprano Nadine Conner in 1907 in Compton, California. Conner and her six siblings grew up on a farm and on stage: their parents built their own theater and staged shows of all kinds. When Conner was a teenager, she was diagnosed with pulmonary disease and was advised to build her lung strength by studying classical singing; her natural talent was obvious and she studied under singers in Los Angeles and then New York City. Conner made her radio debut in 1933 on California Melodies and The Voice of Firestone and then went on tour with Gordon MacRae. By 1940, she was making her professional debuts with the Los Angeles Opera and then the Metropolitan Opera, and she performed regularly in opera houses throughout Europe and the U.S. and recorded for several record labels until her retirement in 1960.


Wednesday, 19 February 2025

Hello, Listeners!

You’ve been spending time with us since 1978,

listening to live announcers who bring you really Great Classical Music.

We truly appreciate your support, and we ask those of you who have never donated before to consider becoming a member and helping us continue our commitment to fantastic recordings of some of the world’s most beautiful music. If you’re a business owner, become a Business Sponsor. You’ll reach hundreds of thousands of listeners and you can also match the donations of your employees when they support The Classical Station. Want to know more? Information is here and/or reach out to our Business Support specialist.

 

On this date in the history of classical music:

Grace Williams (center), c. 1976. (Photo by Western Mail Archive – Courtesy of Wikimedia Commons)

It’s the birthdate of Welsh composer Grace Mary Williams in 1906 in Barry, Glamorgan. Williams had childhood training as a violinist, pianist, and composer, playing piano trios with her father and brother, accompanying her father’s church choir, and studying composition in school. She won a scholarship to what was then University College of South Wales and Monmouthshire (and is now Cardiff University) and then attended the Royal College of Music as a student of Ralph Vaughan Williams (Imogen Holst and Elizabeth Maconchy were among her fellow students). As she worked on her compositions, Williams worked as a teacher in London (from 1932) and wrote some of her best-known works during World War II, including her Fantasia on Welsh Nursery Tunes; her First Symphony; and Sea Sketches for string orchestra. She returned to Wales in 1945 and composed full-time. Along with her orchestral compositions, Williams was the first British woman to score a feature film (Blue Scar, 1949) and she wrote an opera (The Parlour) and other vocal works, often combined with other instruments. Williams is still considered one of Wales’ finest composers and was especially noted for her sensitivity and her humility; she turned down a nomination for the Order of the British Empire (OBE) for services to music.


Tuesday, 18 February 2024

Hello, Listeners!

We’re taking your requests and dedications for All-Request Friday and the Saturday Evening Request Program, so get’em in early! We’re always excited to see what’s on the playlists for us for those shows, and your fellow listeners appreciate hearing what you like, too.

 

On this date in the history of classical music:

Sir George Henschel, c. 1891. (Photo by W. & D. Downey – Courtesy of National Portrait Gallery NPG Ax15912)

It’s the birthdate of German-British baritone, pianist, composer, and conductor Sir George Henschel (Georg Isidor Henschel), born in Breslau (now Wrocław, Poland) in 1850. Henschel made his public debut at the piano at the age of 9 and regularly performed as a pianist, then studied voice at the Leipzig Conservatory and became an accomplished baritone who sometimes sang to his own accompaniment. He performed consistently and made early and regular recordings for the Columbia Graphophone Company into the late 1920s. In 1881, Henschel married American soprano Lilian June Bailey and the two performed together throughout the U.S. and Europe into the 1880s, when he became the first conductor of the Boston Symphony Orchestra (1881); began the London Symphony Concert series (1886); was the first conductor of the Royal Scottish National Orchestra (1893); and taught voice classes at the Royal College of Music and the Institute of Musical Art in New York. As a composer, Henschel was highly influenced by his close friend Johannes Brahms and he wrote songs and choral music, an opera, and orchestral works.


Monday, 17 February 2025

A good day and a good week to you, Listeners!

Come spend your time with us and some Great Classical Music.

This week’s Monday Night at the Symphony features the Czech Philharmonic Orchestra (founded 1896) and works by Antonin Dvorak, Paul Dukas, Bedrich Smetana, and more conducted by Antonio de Almeida and Semyon Bychkov. Meet us at the symphony at 8pm ET.

 

Tomorrow (Tuesday) on Classical Café, George Leef presents his weekly Legendary Performer feature; this week, it’s conductor Sergiu Comissiona.

 

And on Wednesday (February 19th between 11am-12pm ET), George  will give away a pair of tickets to see pianist Michelle Cann, courtesy of Duke Arts.

Tune in for a chance to win!

 

On this date in classical music history:

Sir Karl Jenkins at the St. David Awards, c. 2017. (Photo by Welsh Government – Courtesy of Wikimedia Commons)

A very Happy Birthday to Welsh composer Sir Karl Jenkins, born in 1944 in Penclawdd, Gower. Jenkins had his first music lessons with his father, a schoolteacher, chapel organist, and choirmaster, before studying music at Cardiff University and the Royal Academy of Music, London. Jenkins is well-known for his tenure as leader of the jazz-rock band Soft Machine (1972-1984) and for music used in the advertising industry (like his string quartet Palladio, written in 2009, used in a series of diamond commercials, and also known as Diamond Music). But Jenkins is also lauded for his choral music, including The Armed Man: A Mass for Peace (2000); his Requiem (2005), and his Stabat Mater (2008).

Now Playing

Sinfonia in B flat

Composed by

Luigi Boccherini (1743-1805)

Performed by

Tafelmusik/Lamon

Label

DHM

Catalog Number

7867

Today's Playlist

5:52am Music selected by the announcer

6:01am Amazing Grace

Composed by

Traditional, arr. Shaw/Parker

Performed by

Robert Shaw Chamber Singers/Shaw

6:07am Six Etudes in the form of a Canon, Op. 56

Composed by

Robert Schumann, arr. by Claude Debussy

Performed by

Argerich/Zilberstein

6:24am Come to Me

Composed by

Ivo Antognini (b.1963)

Performed by

Paish/Choir of Trinity College, Cambridge/Layton

6:30am String Quartet No. 17 in B flat, K. 458 "Hunt"

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Ciompi Quartet

6:56am God of Our Fathers

Composed by

George W. Warren, arr. by Thomas Beveridge

Performed by

Washington Men's Camerata/Beveridge

7:01am Freedom Suite

Composed by

Barbara Harbach (b.1946)

Performed by

London Philharmonic/Angus

7:18am Celebration (Variations for Organ)

Composed by

Dan Locklair (1949-)

Performed by

Marilyn Keiser

7:30am Sing For Joy

Composed by

Various

Performed by

Rev. Alexandra M. Jacob, host

8:01am Praise my Soul, the King of Heaven

Composed by

John Goss (1800-1880)

Performed by

The Choir of Queens' College Cambridge/The Cambridge University Brass Ensemble/Week/Steynor

8:04am O God, our help in ages past

Composed by

William Croft (1678-1727)

Performed by

Etheridge/Choir of King's College Cambridge/Cleobury

8:07am Dear Lord and Father of Mankind

Composed by

Hubert Parry, arr. Chambers

Performed by

Adam/St. James Cath. Choir/Savage

8:14am I Heard the Voice of Jesus Say

Composed by

Philip Stopford (1977-)

Performed by

Jeffcoat/Choir of St Luke’s, Chelsea/Chelsea Camerata/Summerly

8:19am The King of Love my shepherd is

Composed by

Traditional

Performed by

Cambridge Singers/Owen

8:23am Psalm 23

Composed by

John Playford (1623-1686), arr. A. Fischer

Performed by

Quire Cleveland/Duffin

8:27am The Lord Descended

Composed by

James Lyon

Performed by

Quire Cleveland/Duffin

8:31am Psalm 98

Composed by

Thomas Ravenscroft

Performed by

Quire Cleveland/Duffin

8:35am Africa

Composed by

William Billings (1746-1800)

Performed by

His Majestie's Clerkes/Hillier

8:38am Chester from New England Triptych

Composed by

William Billings (1746-1800)

Performed by

His Majestie's Clerkes/Hillier

8:41am Angel Band

Composed by

Jefferson Hascall

Performed by

Anonymous 4

8:46am Blest are the pure in heart

Composed by

William Henry Havergal

Performed by

Wells Cathedral Choir/Arhcer/Gough

8:48am Blazen muzh, Op. 37

Composed by

Sergei Rachmaninoff

Performed by

Handel & Haydn Chorus/Llewellyn

8:57am Misericordias Domine, K. 222

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Gloriae Dei Cantores/Vox Caeli Sinfonia/Pugsley

9:05am Cantata 88, "Siehe, ich will viel Fischer aussenden"

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Holland Boys' Choir/Netherlands Bach Collegium/Leusink

9:27am Chandos Anthem No. 07, "My song shall be alway" Psalm 89

Composed by

George Frideric Handel (1685–1759)

Performed by

The Sixteen/Christophers

9:50am Chester: Let Tyrants Shake their Iron Rods, and Slav'ry Clank her Galling Chains

Composed by

William Billings (1746-1800), arr. Barbara Harbach

Performed by

Barbara Harbach

9:56am Te Deum

Composed by

Anton Bruckner (1824-1896)

Performed by

Norman/Chicago SO & C/Barenboim

10:21am A Mighty Fortress Is Our God

Composed by

Joseph Joachim Raff (1822-1882)

Performed by

Basel Radio Symphony/Travis

10:42am Missa brevis

Composed by

Zoltan Kodaly (1882-1967)

Performed by

Brighton Festival Chorus/Heltay

11:14am Gott ist mein Hirt

Composed by

Franz Schubert (1797-1828)

Performed by

Choir of New College, Oxford/Higginbottom

11:20am Music selected by the announcer

11:39am Music selected by the announcer

12:00pm Septet in E flat, Op. 20

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Ensemble Walter Boeykens

12:44pm Swanilda’s Waltz from Coppelia

Composed by

Leo Delibes (1836-1891)

Performed by

Adelaide Symphony/Serebrier

12:48pm 3 Lyric Pieces, Book 2

Composed by

Edvard Grieg (1843–1907)

Performed by

Daniel Gortler

1:00pm Lute Suite in A minor (originally C minor), BWV 997

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Sharon Isbin

1:24pm Symphony No. 6 in B flat

Composed by

Samuel Wesley (1766-1837)

Performed by

Milton Keynes Chamber Orchestra/Wetton

1:46pm Concerto in E flat for 2 Horns from Tafelmusik

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

Capella Istropolitana/Edlinger

2:01pm Suite "William Byrd"

Composed by

Gordon Jacob (1895-1984)

Performed by

Eastman Wind Ensemble/Fennell

2:21pm Piano Trio No. 1 in D minor, Op. 32

Composed by

Anton Arensky (1861-1906)

Performed by

Bronfman/Lin/Hoffman

2:52pm Music selected by the announcer

3:00pm Symphony No. 38 in D, K. 504 “Prague”

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Berlin Philharmonic/Karajan

3:27pm Cello Concerto in A

Composed by

Giuseppe Tartini (1692–1770)

Performed by

Rostropovich/Collegium Musicum Zurich/Sacher

3:43pm Piano Trio No. 28 in D, Hob. XV:28

Composed by

Josef Haydn (1732-1809)

Performed by

Hantai/Hantai/Verzier

4:02pm String Quartet No. 6

Composed by

Heitor Villa-Lobos (1887-1959)

Performed by

Cuarteto Latinoamericano

4:28pm Piano Sonata No. 8 in C minor, Op. 13 "Pathetique"

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Alfred Brendel

4:49pm Pomona Waltz

Composed by

Emile Waldteufel (1837-1915)

Performed by

Slovak State Philharmonic/Walter

5:00pm Concerto in F for 3 Violins from Tafelmusik, Part II

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

Capella Istropolitana/Edlinger

5:16pm Wind Quintet in G minor, Op. 56 No. 2

Composed by

Franz Danzi (1763-1826)

Performed by

Vienna Quintet

5:32pm Trumpet Concerto

Composed by

Johann Nepomuk Hummel (1778-1837)

Performed by

Hardenberger/Academy SMF/Marriner

5:51pm Music selected by the announcer

6:01pm Ego flos campi

Composed by

Jacob Clemens non Papa (c.1510-c.1556)

Performed by

Gesualdo Six/Park

6:07pm 2 Wedding Madrigals

Composed by

Cornelis Schuyt (1557-1616)

Performed by

Weser-Renaissance Ensemble Bremen/Cordes

6:18pm Sonata for solo violin No. 2 in A minor, BWV 1003

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Alon Sariel

6:43pm Concerto grosso in D, HWV 323

Composed by

George Frideric Handel (1685–1759)

Performed by

Balsom/Pinnock’s Players/Pinnock

7:01pm Piano Concerto No. 25 in C, K. 503

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Levin/Academy of Ancient Music/Egarr

7:31pm Castor and Pollux: Overture

Composed by

Georg Joseph Vogler (1749-1814)

Performed by

Munich Radio Orchestra/Griffiths

7:43pm Fantasy on Rossini’s “La Cenerentola”

Composed by

Gioachino Rossini (1792-1868), arr. Cornelia Sommer

Performed by

Sommer/Huang

7:53pm D’un cahier d’esquisses, L.112

Composed by

Claude Debussy (1862-1918)

Performed by

Tetreault/Hebert-Bouchard

8:01pm Violin Concerto in D minor, Op. 47

Composed by

Jean Sibelius (1865-1957)

Performed by

Jansen/Oslo Philharmonic Orchestra/Makela

8:35pm Quartet for Trumpet, Horn, Trombone, and Piano (2020)

Composed by

Andrew Lewinter (b.1966)

Performed by

Work/Garza/Jones/Dorman

8:53pm God Is Our Hope and Strength

Composed by

Philip Stopford (1977-)

Performed by

Jeffcoat/Choir of St Luke’s, Chelsea/Chelsea Camerata/Summerly

9:01pm A Song of Wisdom

Composed by

Charles Villiers Stanford (1852–1924)

Performed by

Choir of Westminster Abbey/O'Donnell

9:07pm Dreaming, Op. 15 No. 3

Composed by

Amy Beach (1867–1944)

Performed by

Alan Feinberg

9:15pm Mass in G minor

Composed by

Ralph Vaughan Williams (1872-1958)

Performed by

Elora Festival Singers/Edison

9:41pm Magnolia Suite

Composed by

R. Nathaniel Dett (1882-1943)

Performed by

Denver Oldham

10:00pm Missa Solemnis in E flat

Composed by

Johann Baptist Vanhal (1739-1813)

Performed by

Soloists/Prague Chamber Choir/Vituosi Di Praga/Neumann

11:10pm Amber Waves

Composed by

Morton Gould (1913-1996)

Performed by

National Symphony Orchestra of Ukraine/Kuchar

11:19pm Concerto for 2 organs arranged for guitar quartet

Composed by

Antonio Soler (1729-1783), arr. R. Gallery

Performed by

English Guitar Quartet

11:33pm Shenandoah

Composed by

Traditional American, arr. by Caroline Shaw

Performed by

Ma/Stott

11:39pm Music selected by the announcer