In this week’s interview on TheClassicalStation.org, Grammy-nominated countertenor Anthony Roth Costanzo explains why his voice type is most-often heard in music written before 1750 and after 1950, linking his work in Akhnaten to his Handel performances. Mr. Costanzo notes that this specific range of repertoire, from the castrati to contemporary composers, defines much of his career path. This interview offers an example to young singers into the advantages of mastering their unique vocal niche within the vast musical landscape.