This Week at The Classical Station

(The Love Song by Edward Burne-Jones, 1868–77)

I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.

~ Igor Stravinsky

This Week at The Classical Station

by Chrissy Keuper


Saturday and Sunday, 15-16 February 2025

We welcome you to the weekend with Great Classical Music!

 

Saturday:

At 1pm ET, Saturday On Point features Andre Previn conducting the London Symphony Orchestra’s recording of Sergei Prokofiev’s Cinderella, plus more music written for ballet and dance.

 

And at 6pm ET, Haydn Jones hosts the Saturday Evening Request Program. See what’s playing and then make your requests and dedications for next week!

 

Sunday:

This week’s Great Sacred Music includes the Elora Singers, the Choir of Clare College, Cambridge, and the ensemble Cantilena performing works by Thomas Tallis, Arvo Pärt, César Franck, and others. Join us at 8am ET, right after Sing for Joy.

And at 6pm ET, Tom Hayakawa will feature recent releases from the classical music world on Preview!, including the Akademie für Alte Musik Berlin with Wolfgang Amadeus Mozart’s Symphony No. 29 in A, K. 201, and Emmanuel Ax, Leonidas Kavalos, and Yo-Yo Ma performing the trio arrangement of Ludwig van Beethoven’s Symphony No. 4 in B flat, Op. 60.

 

On these dates in classical music history:

Photo of Henry E. Steinway (born Heinrich Engelhard Steinweg), 1791–1871, founder of Steinway & Sons, c. 1860-1880. (Photo by Mathew Brady – Courtesy of Wikimedia Commons)

German-American piano maker Henry E. Steinway (née Heinrich Engelhard Steinweg) was born in Wolfshagen im Harz, Lower Saxony, on February 15, 1797. Steinway endured a turbulent childhood, often without family around, as his father and brothers fought for the German Army in the Napoleonic conflicts. At 15, he was orphaned and he joined the German Army in the volunteer corps of Frederick William, Duke of Brunswick-Wolfenbüttel. Steinway was a soldier until 1822, when he began working as a carpenter, then an apprentice to an organ builder in the town of Goslar. He learned to play the organ himself and began building instruments, first guitars and zithers, then pianos that slowly increased in size; he made his first square piano in 1835 and his first grand piano in 1836 (now at the New York Metropolitan Museum of Art). In 1850, Steinway emigrated to New York City with five of his sons; they all worked for other instrument companies until they started their own production as Steinway and Sons, which remains in production to this day.

British bassoonist Gwydion Brooke (née Frederick James Gwydion Holbrooke) was born in Newmarket, Suffolk, on February 16, 1912. His father was composer Joseph Holbrooke, who demanded that Brooke start piano lessons early and then learn the bassoon at age 11. Brooke liked the bassoon well enough to stick with it and attain a 1928 scholarship to the Royal Academy of Music; a year later, he was playing in an orchestra in Hastings, then the London Philharmonic Orchestra as second bassoon (1932), then first bassoon in the BBC Scottish Radio Orchestra (1935). When war broke out in 1939, Brooke joined a Scottish artillery regiment, serving in Italy and north Africa, but returned to the bassoon in 1945 with the Royal Liverpool Philharmonic Orchestra, followed by the Royal Philharmonic Orchestra in 1947 (when he changed his surname to Brooke). In 1961, Brooke was named principal bassoonist of the Philharmonia Orchestra, where he stayed until his retirement in 1979. Clarinettist Thea King called him the finest bassoonist she’d ever known.


Friday, 14 February 2025

Happy Friday, Listeners!

We send you love for Valentine’s Day and thank you for listening and for supporting

The Classical Station.

 

It’s All-Request Friday (10am-10pm ET) and then we’ll play your favorites and dedications again tomorrow on the Saturday Evening Request Program (6pm-12am ET). Check the playlists to see what will play when, and make your requests and dedications for next week.

 

On today’s date in the history of classical music:

Fernando Sor in a lithograph by Godefroy Engelmann, c. 1825. (Courtesy of Wikimedia Commons)

It’s the birthdate of Spanish classical guitarist and composer Fernando Sor, born in Barcelona into a family of career soldiers in 1778. Sor was destined to carry on the tradition, but his father introduced him to the guitar and to Italian opera and he was hooked on music for the rest of his life. He was a guitar virtuoso early in his life (his peers later considered him to be the finest guitarist in the world); he began writing songs in Latin as a child and developed his own music notation system. He was enrolled at the Barcelona Cathedral school after the director discovered his musical talent, but the death of Sor’s father left the family without enough funding to continue his schooling there. He was briefly enrolled at the choir school of the monastery of Santa Maria de Montserrat, but his mother placed him in military school instead. By the time Napoleon Bonaparte invaded Spain in 1808, Sor had been promoted to captain in Córdoba and began composing nationalistic music for the guitar and playing with traveling military bands that performed music in protest of the invasion. But with the first defeat of the Spanish army, Sor took a position in the administration of the occupying government. In 1813, the Spanish managed to expel the French; fearing retribution, Sor left Spain and never returned. Though he had left his homeland, the end of his military career meant that he could focus on music. In 1815, he gained fame in London as a performing guitarist and teacher (guitar and voice); he spent 1823-1826 in Moscow, then toured Europe as a performer for more than a year. Sor eventually settled in Paris in 1827 and wrote the majority of his works for guitar during the last decade of his life. He was best known for those compositions for solo guitar, though he also wrote an opera (at the age of 19), three symphonies, guitar duos, piano music, lots of songs, a Mass (in honor of the death of his daughter), and at least two ballets: Cendrillon (Cinderella) and Hercule et Omphale.


Thursday, 13 February 2025

Happy Friday Eve, All!

Tomorrow is All-Request Friday AND it’s Valentine’s Day, so check out the playlist to see when your favorites and special dedications are scheduled to broadcast.

We’ll be here with love and drama and wonderful music.

 

Speaking of love, drama, and wonderful music (as well as some comedy), this evening’s Thursday Night Opera House is the 1984-1985 recording of Sir Georg Solti conducting the Vienna Philharmonic, the Vienna State Opera Choir, and legendary soloists in Wolfgang Amadeus Mozart’s Die Entführung aus dem Serail (The Abduction from the Seraglio). Konstanze (Edita Gruberova), her English maid Blonde (Kathleen Battle), her betrothed Belmonte (Gösta Winbergh), and Belmonte’s valet Pedrillo (Heinz Zednik) have been abducted by pirates and sold as slaves to Bassa Selim (Will Quadflieg), who has fallen in love with Konstanze. Join Dr. Jay Pierson at 7pm ET.

 

On this day in classical music history:

Yfrah Neaman, c. 1998. (Courtesy of Wikimedia Commons)

It’s the birthdate of Israeli-British violinist Yfrah Neaman in Sidon, Lebanon, in 1923. Neaman’s family moved to Tel Aviv in his early childhood, where he began violin lessons, and then to Paris in 1932, where he studied at the Conservatoire de Paris and won the Premier Prix at age 14 (1937). Neaman continued his studies in London and in Paris, settling in London in the 1940s when Germany invaded France. His earliest performances were in London and included the wartime National Gallery lunchtime concerts and his premiere with the London Symphony Orchestra in 1944. After the war, Neaman made pioneering recordings of music by American composers, many of which were broadcast by the BBC, as well as from composer manuscripts that were unmarked by editors (‘Urtext’ manuscripts). From 1958 until his death in 2003, he was Professor of Violin and then Head of Advanced Solo Studies at Guildhall School of Music and Drama and gave masterclasses worldwide; he was also a consultant to Wells Cathedral Music School for more than 30 years.


Tuesday, 11 February 2024

Hello, Listeners!

Get those requests and dedications in early this week because All-Request Friday is Valentine’s Day. You can give your Valentines the gift of classical music and show them how you REALLY feel (and then do it again on the Saturday Evening Request Program).
Show us (and them) the love, Listeners!

 

On this date in the history of classical music:

A portrait of Sir Alexander Gibson by John Houston, 1984-1985. (National Galleries of Scotland)

British conductor Sir Alexander Gibson was born in Motherwell, Scotland in 1926. Gibson’s parents took him to see the opera Madame Butterfly at the Theatre Royal in Glasgow when he was 12 and he was so enamored that he later founded the Scottish Opera (1962). The young pianist and organist’s professional career began at 18 when Gibson was named organist at Hillhead Congregational Church, Glasgow, while he also studied at the Royal Scottish Academy of Music and Drama, then the University of Glasgow. World War II interrupted his studies and he served with the Royal Signals Band, then continued studies from 1948 at the Royal College of Music in London; the Mozarteum in Salzburg; and the Accademia Chigiana in Siena. Gibson was Assistant Conductor of the BBC Scottish Symphony Orchestra (1952-1954) and he conducted the Glasgow Grand Opera Society (1954); in 1957, he was named musical director of Sadler’s Wells (the youngest person ever appointed) and was appointed principal conductor and artistic director of the Scottish National Orchestra (the first Scot to hold the position, which he did until 1984); and in 1962, he launched the Scottish Opera and served as director until 1986 and then as conductor laureate. Gibson also created the Edinburgh Festival Chorus (1965) and conducted many orchestras throughout the Americas, Europe, Australia, Hong Kong, and Japan. Read more about him here: t.ly/ZmU6n


Monday, 10 February 2025

A very good Monday to all of you!
It’s going to be a great week, especially if it’s filled with Great Classical Music.

This week’s Monday Night at the Symphony features the Dallas Symphony Orchestra under conductors Eduardo Mata and Andrew Litton, performing works by Ernest Chausson, Sergei Rachmaninoff, and Gustav Mahler’s Symphony No. 5.  Meet us at the symphony at 8pm ET.

 

Amy Marcy Cheney Beach, c. 1895. (George Grantham Bain Collection – Courtesy of the Library of Congress)

Tomorrow (Tuesday) on Classical Café, George Leef presents his weekly Legendary Performer feature; this week, it’s American composer Amy Beach.

And on Wednesday (February 12th between 11am-12pm ET), George will give away a pair of tickets to Mallarmé Music’s 2025 North Carolina HIP Music Festival.

Tune in for a chance to see some of the most talented ensembles in North Carolina classical music.

 

On this date in classical music history:

Leontyne Price, c. 1994. (Photo by Jack Mitchell – Courtesy of Wikimedia Commons)

A very Happy Birthday to American soprano Leontyne Price, born in Laurel, Mississippi, in 1927. Her beginnings as a singer were at home and in church; her parents were both children of Methodist ministers, and her mother sang in the church choir while her father played tuba in the church band. Price studied at Central State University in Ohio and then moved on to the Juilliard School, where she made her public debut in opera. A concert tour, collaborations with composers including Virgil Thompson and Samuel Barber, and appearances with the world’s foremost opera companies followed (on-stage and televised). Price was the first African-American soprano to sing on television and to perform leading roles to international acclaim. She had a long tenure with the Metropolitan Opera (1961-1985); won 13 Grammy Awards, including the Lifetime Achievement Award (and more than any other classical singer); was the 1964 recipient of the Presidential Medal of Freedom; and was among the first to receive the Opera Honors (2008, National Endowment for the Arts). She toured and performed regularly until 1997, when she turned her attention toward teaching master classes internationally and writing a book version of the opera Aida for children (which Tim Rice and Elton John turned into a musical). Price gave her (perhaps) final public performance on September 30, 2001, singing in a memorial concert for the events of September 11. She is also featured in The Opera House (2017, a documentary by Susan Froemke) and there is talk of a documentary about Price, herself.  


Wednesday, 12 February 2025

Hello, Listeners! We thank you SO MUCH for your support and for spending your time with us.

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Want to know more? And/or reach out to our Business Support specialist.

 

On this date in classical music history:

Lavinia Meijer during the Nationaal Concert of 2011 in Utrecht, The Netherlands (Photo by Fred Ernst – WM Commons)

A very Happy Birthday to Dutch harpist Lavinia Meijer in South Korea in 1983. Meijer began harp lessons at age nine and just a couple of years later was accepted into Utrecht Conservatorium’s Young Talent program. She graduated from the conservatory (2003) and attended graduate school at Conservatorium van Amsterdam (until 2005), then made her debut in 2007 at Carnegie Hall in a concert of solo harp works. Meijer has performed throughout the world with the Stuttgart Radio Symphony Orchestra; the Israel Philharmonic; the Royal Concertgebouw Orchestra; and many other orchestras. She often performs and records new classical music, new transcriptions (like her 2012 album of Philip Glass works that she transcribed for harp), and works composed especially for her.

Now Playing

Symphony No. 1 in C, Op. 21

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Academy of Ancient Music/Hogwood

Label

L'Oiseau Lyre

Catalog Number

414

Today's Playlist

12:45am Variations in D on a Minuet by Duport, K. 573

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Alfred Brendel

1:00am Les Preludes

Composed by

Franz Liszt (1811-1886)

Performed by

Vienna Philharmonic/Sinopoli

1:17am Piano Quintet in F minor, Op. 34

Composed by

Johannes Brahms (1833-1897)

Performed by

Couteau/Hermès Quartet

1:59am Piano Concerto No. 1 in G minor, Op. 25

Composed by

Felix Mendelssohn (1809-1847)

Performed by

Prosseda/Hague Philharmonic/de Vriend

2:21am Sonata No. 2 for Harp and Guitar

Composed by

Anthony Sidney (b. 1952)

Performed by

Cover/Bonachea/Savage

2:38am Concerto for Clarinet and Orchestra in A minor, Op. 80

Composed by

Charles Villiers Stanford (1852–1924)

Performed by

Johnson/Royal Philharmonic Orchestra/Groves

3:00am Symphony No. 008 in G, "Evening"

Composed by

Josef Haydn (1732-1809)

Performed by

Hanover Band/Goodman

3:23am Intermezzo from Goyescas

Composed by

Enrique Granados (1867-1916)

Performed by

Harrell/Canino

3:29am Slovak Suite, Op. 32

Composed by

Vitezslav Novak (1870-1949)

Performed by

Czech Philharmonic/Vajnar

4:00am Prelude to Act 1 from Parsifal

Composed by

Richard Wagner (1813-1883)

Performed by

Chicago Symphony/Barenboim

4:14am Divertimento No. 7 in D, K. 205

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Amsterdam Baroque Orchestra/Koopman

4:34am Suite from The Invisible City of Kitezh

Composed by

Nikolai Rimsky-Korsakov (1844-1908)

Performed by

Scottish National Orchestra/Jarvi

5:00am Oboe Concerto in D minor, Op. 9 No. 2

Composed by

Tomaso Albinoni (1671-1751)

Performed by

Camden/London Virtuosi/Georgiadis

5:14am November Woods

Composed by

Arnold Bax (1883-1953)

Performed by

Ulster Orchestra/Thomson

5:33am Concerto in B flat

Composed by

Carl Friedrich Abel (1723-1787)

Performed by

Choi/Ensemble Diderot/Pramsohler

5:48am Music selected by the announcer

6:01am Sonata for Harp, Op. 127

Composed by

Alan Hovhaness (1911-2000)

Performed by

Yolanda Kondonassis

6:14am Trio in C, RV 82

Composed by

Antonio Vivaldi (1678-1741)

Performed by

Sollscher/Furi/Camerata Bern

6:24am Concerto No. 2 in F for Two Wind Ensembles and Strings

Composed by

George Frideric Handel (1685–1759)

Performed by

English Concert/Pinnock

6:42am Three Ricercares

Composed by

Giulio Segni (1498-1561)

Performed by

Consort Veneto/Toffano

6:53am Festival March

Composed by

Antonin Dvorak (1841-1904)

Performed by

Prague Symphony/Belohlavek

7:00am Paris Quartet No. 4 in B minor, TWV 43:h2

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

Kuijken Bros/Leonhardt

7:14am Concerto Grosso in C minor, Op. 6 No. 3

Composed by

Arcangelo Corelli (1653-1713)

Performed by

Tafelmusik/Lamon

7:26am Impromptu No. 4 in C sharp minor, Op. 66 "Fantasie-Impromptu"

Composed by

Frederic Chopin (1810-1849)

Performed by

Anatol Ugorski

7:32am Concerto for 2 Horns in F

Composed by

Frantisek Xaver Pokorny (1729-1794)

Performed by

Muzyk/Kerdelewicz/Buffalo Philharmonic Orchestra/Falletta

7:48am Ballet Music from The Perfect Fool, Op. 39

Composed by

Gustav Holst (1874-1934)

Performed by

Kansas City Symphony/Stern

8:00am Berlin Symphony in E minor, Wq. 178

Composed by

Carl Philipp Emanuel Bach (1714–1788)

Performed by

C.P.E. Bach Chamber Orchestra/Haenchen

8:13am Accelerations

Composed by

Johann Strauss Jr. (1825-1899)

Performed by

Vienna Philharmonic/Maazel

8:23am Prelude to La traviata, Act I

Composed by

Giuseppe Verdi (1813-1901)

Performed by

Royal Philharmonic/Serafin

8:30am April (The Snowdrop) from The Seasons

Composed by

Peter I. Tchaikovsky (1840-1893)

Performed by

Yefim Bronfman

8:34am Flute Concerto No. 3 in C

Composed by

Frederick the Great (1712-1786)

Performed by

Friedrich/C.P.E. Bach Chamber Orchestra/Haenchen

8:50am Music selected by the announcer

9:01am Violin Concerto in D, Op. 35

Composed by

Peter I. Tchaikovsky (1840-1893)

Performed by

Chung/Montreal Symphony Orchestra/Dutoit

9:37am Two Fantasy Pieces, Op. 12

Composed by

Robert Schumann (1810-1856)

Performed by

Sviatoslav Richter

9:45am Rapsodie espagnole

Composed by

Maurice Ravel (1875-1937)

Performed by

Detroit Symphony/Paray

10:01am Quartet No. 6 in F minor, Op. 80

Composed by

Felix Mendelssohn (1809-1847)

Performed by

Emerson String Quartet

10:26am Piano Trio No. 2 in E minor Op. 92

Composed by

Camille Saint-Saens (1835-1921)

Performed by

Neave Trio

11:01am Symphony No. 7 in A, Op. 92

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Boston Symphony/Leinsdorf

11:45am Suite from Fair Maid of Perth

Composed by

Georges Bizet (1838–1875)

Performed by

Mexico City Philharmonic/Batiz

12:01pm Symphony No. 22 in D

Composed by

Michael Haydn (1737-1806)

Performed by

Bournemouth Sinfonietta/Farberman

12:21pm Piano Sonata No. 5 in G, K. 283

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Mao Fujita

12:35pm Double Concerto for Clarinet, Bassoon, Strings and Harp

Composed by

Richard Strauss (1864-1949)

Performed by

Meyer/Sonstevold/New Stockholm Chamber Orchestra/Salonen

12:54pm Music selected by the announcer

1:01pm Piano Concerto No. 1 in E minor, Op. 11

Composed by

Frederic Chopin (1810-1849)

Performed by

Perahia/Israel Philharmonic/Mehta

1:39pm Bavarian Dance, Op. 27 No. 3

Composed by

Edward Elgar (1857-1934)

Performed by

English String Orchestra/Boughton

1:45pm Oboe Concerto in A, BWV 1055

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Holliger/Academy of St. Martin-in-the-Fields/Brown

2:01pm Symphonie fantastique, Op. 14

Composed by

Hector Berlioz (1803-1869)

Performed by

San Francisco Symphony/Tilson Thomas

2:59pm Concierto de Aranjuez

Composed by

Joaquin Rodrigo (1901-1999)

Performed by

P. Romero/Academy of St. Martin-in-the-Fields/Marriner

3:24pm Scottish Fantasy for Violin and Orchestra, Op. 46

Composed by

Max Bruch (1838-1920)

Performed by

Heifetz/New Symphony Orchestra of London/Sargent

3:51pm Overture from Suite in B flat, "The Nations"

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

La Stravaganza

3:59pm Canzon septimi toni No. 2

Composed by

Giovanni Gabrieli ( c. 1554/1557 – 1612)

Performed by

Empire Brass and Friends

4:03pm Flute Quartet No. 4 in A, K. 298

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Bennett/Grumiaux Trio

4:15pm Overture to Fidelio

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Philharmonia Orchestra/Klemperer

4:23pm Lute Suite In E minor, BWV 996

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Yolanda Kondonassis

4:39pm Prelude to the Afternoon of a Faun

Composed by

Claude Debussy (1862-1918)

Performed by

Baxtresser/NY Philharmonic/Masur

4:52pm Scherzo No. 3 in C sharp minor, Op. 39

Composed by

Frederic Chopin (1810-1849)

Performed by

Artur Rubinstein

5:00pm Oboe Concerto in C minor

Composed by

Domenico Cimarosa, arr. by Arthur Benjamin

Performed by

Holliger/I Musici

5:11pm Overture to The Italian Girl in Algiers

Composed by

Gioachino Rossini (1792-1868)

Performed by

Philharmonia/Karajan

5:20pm Overture to The Sicilian Vespers

Composed by

Giuseppe Verdi (1813-1901)

Performed by

Chicago Symphony Orchestra/Muti

5:31pm Waltz from Act I, Swan Lake, Op. 20

Composed by

Peter I. Tchaikovsky (1840-1893)

Performed by

Vienna Philharmonic/Levine

5:38pm Piano Sonata No. 50 in C, Hob. XVI:50

Composed by

Josef Haydn (1732-1809)

Performed by

Marc-Andre Hamelin

5:55pm Entree d'Abaris

Composed by

Jean-Philippe Rameau (1683-1764)

Performed by

Orchestra of the 18th Century/Bruggen

6:01pm Overture to A Midsummer Night’s Dream, Op. 21

Composed by

Felix Mendelssohn (1809-1847)

Performed by

London Symphony/Abbado

6:14pm March from Second Suite in F, Op. 28 No. 2

Composed by

Gustav Holst (1874-1934)

Performed by

Cleveland Symphonic Winds/Fennell

6:19pm Hungarian Rhapsody No. 3 in D

Composed by

Franz Liszt (1811-1886)

Performed by

Israel Philharmonic/Mehta

6:29pm Sonata in D minor for Violin and Continuo

Composed by

George Frideric Handel (1685–1759)

Performed by

Pine/Schrader/Rozendaal

6:36pm Die Schonbrunner

Composed by

Joseph Lanner (1801-1843)

Performed by

Vienna Philharmonic/Maazel

6:45pm Music selected by the announcer

7:01pm 4 Impromptus, D. 935

Composed by

Franz Schubert (1797-1828)

Performed by

Grigory Sokolov

7:45pm The Oak

Composed by

Florence Price (1887-1953)

Performed by

Women's Philharmonic Orchestra of San Francisco/Hsu

8:00pm Homenajes

Composed by

Manuel de Falla (1876-1946)

Performed by

BBC Philharmonic/Mena

8:17pm Violin Concerto in D, Op. 77

Composed by

Johannes Brahms (1833-1897)

Performed by

Znaider/Vienna Philharmonic/Gergiev

9:00pm Overture to Ruy Blas, Op. 95

Composed by

Felix Mendelssohn (1809-1847)

Performed by

City of Birmingham Symphony Orchestra/Gardner

9:09pm Piano Concerto No. 4 in E flat

Composed by

John Field (1782–1837)

Performed by

Frith/Northern Sinfonia/Haslam

9:43pm The Lark Ascending

Composed by

Ralph Vaughan Williams (1872-1958)

Performed by

Hoebig/Winnipeg Symphony/Tovey

10:00pm Flute Concerto in B flat

Composed by

Carl Philipp Emanuel Bach (1714–1788)

Performed by

Nicolet/Netherlands Chamber Orchestra/Zinman

10:21pm Variations on a Rococo Theme, Op. 33

Composed by

Peter I. Tchaikovsky (1840-1893)

Performed by

Bailey/San Francisco Ballet Orchestra/West

10:42pm Piano Sonata No. 10 in C, K. 330

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Alicia de Larrocha

11:01pm String Quartet in B flat, Op. 76 No. 4 "Sunrise"

Composed by

Josef Haydn (1732-1809)

Performed by

Mosaic Quartet

11:25pm Concerto Grosso in D, Op. 1 No. 5

Composed by

Pietro Antonio Locatelli (1695-1764)

Performed by

Capella Istropolitana/Krecek

11:34pm Gaspard de la nuit

Composed by

Maurice Ravel (1875-1937)

Performed by

Martha Argerich

11:53pm Music selected by the announcer