This Week at The Classical Station

(Chorinho by Candido Portinari, 1942)

I think the purpose of music is to express the human condition and really to express the soul.

~ Jennifer Higdon

This Week at The Classical Station

by Chrissy Keuper


Friday, 11 July 2025

Happy Friday, Listeners!

We’re playing your requests and dedications all day today for All-Request Friday and do it again tomorrow on the Saturday Evening Request Program (6pm-12am ET).

Join us!

Want to see what’s on the list?
Want to make requests and dedications for next week?

 

On this date in classical music history:

Bramwell Tovey rehearsing the Orchestra of Opera North in the Royal Albert Hall, London, March 2012. (Courtesy of Wikimedia Commons)

It’s the birthdate of British conductor and composer Bramwell Tovey in Ilford, London, in 1953. Tovey studied piano and composition at the Royal Academy of Music (where he also took up the tuba) and the University of London, while also conducting BBC music broadcasts and playing with the London Symphony Orchestra. He was staff conductor for the London Festival Ballet; music director of the the Scottish Ballet; principal conductor of Sadler’s Wells Royal Ballet; the D’Oyly Carte Opera Company; the Winnipeg Symphony Orchestra (where he also helped establish the New Music Festival); music director of the Vancouver Symphony Orchestra (VSO) and the Luxembourg Philharmonic Orchestra; and then principal conductor of the BBC Concert Orchestra. Tovey also conducted the New York Philharmonic’s summer concert series; served as Artistic Director of the National Youth Brass Band of Great Britain and the Fodens Brass Band; and principal guest conductor of the Los Angeles Philharmonic’s Hollywood Bowl summer concerts. His compositions include a Cello Concerto (premiered in Winnipeg in January 2001) and a work for a large choir and brass band (Requiem for a Charred Skull, which won a 2003 Juno Award for Classical Composition of the Year). He wrapped up his busy career as Director of Orchestral Activities at the Boston University School of Music; artistic advisor to the Rhode Island Philharmonic Orchestra; and guest conductor of the Sarasota Orchestra.


Thursday, 10 July 2025

A very, very Happy Friday Eve to you, Listeners!

 

This evening, Thursday Night Opera House features the 1971 recording of Richard Bonynge conducting the London Symphony Orchestra, the Ambrosian Opera Chorus, and stellar soloists in Giuseppe Verdi’s Rigoletto. The jester Rigoletto (Sherrill Milnes) in the court of the Duke of Mantua (Luciano Pavarotti) seeks revenge for the Duke’s seduction of Rigoletto’s daughter, Gilda (Joan Sutherland).

Join Dr. Jay Pierson at 7pm ET for this classic tragic opera.

 

On this day in classical music history:

Helen Donath. (© Frank Heller)

A very Happy Birthday to American soprano Helen Donath (née Ewing), born in Corpus Christi, Texas, in 1940. Donath spent more than 50 years on the stage as both a concert/Lieder singer and in opera, including the Opernstudio at the Cologne Opera; Staatsoper Hannover; Michigan Opera Theatre; the Vienna State Opera; the Metropolitan Opera; the Salzburg Festival; the Royal Opera House, Covent Garden; La Scala, Milan; and others. In addition to performing, she also spent many years as a voice teacher/coach.


Wednesday, 9 July 2025

Hello, Listeners!
We hope you’re having an excellent week and are enjoying some great classical music.

 

On this date in the history of classical music:

David Zinman, c. 2022. (Courtesy of Tonhalle Orchestra Zurich)

A very Happy Birthday to American violinist, composer, and conductor David Zinman, born in 1936 in Brooklyn, New York. Zinman studied violin at Oberlin Conservatory of Music, then theory and composition at the University of Minnesota, before his first conducting gig at Tanglewood from 1958 to 1962 and as an assistant conductor to Pierre Monteux in Maine from 1961 to 1964. He went on to conduct the Netherlands Chamber Orchestra; the Rotterdam Philharmonic Orchestra; the Rochester Philharmonic Orchestra; and the Baltimore Symphony Orchestra. Zinman was music director of the Ojai Music Festival (with co-director, pianist Mitsuko Uchida) and of the Aspen Music Festival and School, where he founded and directed American Academy of Conducting. His next move was to Switzerland as music director of the Tonhalle-Orchester Zürich, including the orchestra’s first-ever appearance at The Proms in 2003. Throughout, Zinman made some of classical music’s best-known recordings with a number of orchestras. He retired in 2014 and remains one of the world’s most highly-respected conductors.


Tuesday, 8 July 2025

Thank you for supporting The Classical Station since 1978.

We are honored to broadcast great classical music 24-hours a day for your listening pleasure,

and we would be exponentially honored if you would consider a gift of support to keep classical music on the airwaves and online.

 

On this date in the history of classical music:

Louis Wayne Ballard

It’s the birthdate of Native American composer Louis Wayne Ballard in 1931 near Miami, Oklahoma. He studied at the University of Oklahoma, Northeastern Oklahoma A&M (where he graduated in music theory), and at the University of Tulsa (where he earned a degree in music education). Though most of Ballard’s training and education were in Western classical music traditions, he was deeply influenced by the music and dance of Native American traditions and inspired by Bela Bartok’s use of Hungarian folk themes, among other composers. He was the first Native American to receive a graduate degree in music composition when he graduated from the University of Tulsa with a master’s degree in composition (1962). Ballard was music director for the Institute of American Indian Arts in Santa Fe, New Mexico (1962-1968) and National Curriculum Specialist for the Bureau of Indian Affairs (1968-1979); and he wrote and published American Indian Music for the Classroom (1973) for teachers who wanted to incorporate American Indian music in their curriculum. Among the awards Ballard received over his career were four National Indian Achievement Awards; the Distinguished Service Award from the U.S. Central Office of Education; a Lifetime Musical Achievement Award by the First Americans in the Arts; the Cherokee Medal of Honor; a Rockefeller Foundation Grant; a Ford Foundation Grant; and five grants from the National Endowment for the Arts. He is also regarded as the father of Native American composition in the classical music world.


Monday, 7 July 2025

Listeners, it’s a new week, and we’ll be filling it with wonderful classical music!

 

This evening at 7pm ET, join Vince Tillona for Drop the Needle and the warmth of vinyl recordings. This week’s show features Deutsche Grammophon’s recordings of the Berlin Philharmonic playing classics by Beethoven and Brahms.

 

And at 8pm ET, Monday Night at the Symphony spotlights the Tonhalle Orchestra Zurich and includes works by Beethoven, Ravel, and Mahler. See you at the symphony!

 

 

 

 

 

Tomorrow, join George Leef on Classical Café for this week’s Legendary Performer: Stanislaw Skrowaczewski.

 

 

On this date in classical music history:

Gian-Carlo Menotti, c. 1944. (Photo by Carl Van Vechten – Courtesy of Library of Congress)

It’s the birthdate of Italian-American pianist and composer Gian-Carlo Menotti in 1911 in Cadegliano on Lake Lugano. Menotti was ultimately best known for his operas and wrote his first at the age of ten (The Death of Pierrot). He had written another by the time he entered the Milan Conservatory at age 13. Menotti began studies at the Curtis Institute of Music in Philadelphia in 1927 and then wrote his opera Amelia Goes to the Ball. It was such a success at the Curtis Institute in 1937 that the Metropolitan Opera included it in their next season. He is credited as the first composer to create American opera that became part of the world’s permanent opera repertoire, including Amahl and the Night Visitors and the Pulitzer Prize-winning The Saint of Bleecker Street.

 

 

 

Now Playing

String Quartet No. 17 in B flat, K. 458 "Hunt"

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Ciompi Quartet

Label

VAC

Catalog Number

0

Today's Playlist

6:56am God of Our Fathers

Composed by

George W. Warren, arr. by Thomas Beveridge

Performed by

Washington Men's Camerata/Beveridge

7:01am Freedom Suite

Composed by

Barbara Harbach (b.1946)

Performed by

London Philharmonic/Angus

7:18am Celebration (Variations for Organ)

Composed by

Dan Locklair (1949-)

Performed by

Marilyn Keiser

7:30am Sing For Joy

Composed by

Various

Performed by

Rev. Alexandra M. Jacob, host

8:01am Praise my Soul, the King of Heaven

Composed by

John Goss (1800-1880)

Performed by

The Choir of Queens' College Cambridge/The Cambridge University Brass Ensemble/Week/Steynor

8:04am O God, our help in ages past

Composed by

William Croft (1678-1727)

Performed by

Etheridge/Choir of King's College Cambridge/Cleobury

8:07am Dear Lord and Father of Mankind

Composed by

Hubert Parry, arr. Chambers

Performed by

Adam/St. James Cath. Choir/Savage

8:14am I Heard the Voice of Jesus Say

Composed by

Philip Stopford (1977-)

Performed by

Jeffcoat/Choir of St Luke’s, Chelsea/Chelsea Camerata/Summerly

8:19am The King of Love my shepherd is

Composed by

Traditional

Performed by

Cambridge Singers/Owen

8:23am Psalm 23

Composed by

John Playford (1623-1686), arr. A. Fischer

Performed by

Quire Cleveland/Duffin

8:27am The Lord Descended

Composed by

James Lyon

Performed by

Quire Cleveland/Duffin

8:31am Psalm 98

Composed by

Thomas Ravenscroft

Performed by

Quire Cleveland/Duffin

8:35am Africa

Composed by

William Billings (1746-1800)

Performed by

His Majestie's Clerkes/Hillier

8:38am Chester from New England Triptych

Composed by

William Billings (1746-1800)

Performed by

His Majestie's Clerkes/Hillier

8:41am Angel Band

Composed by

Jefferson Hascall

Performed by

Anonymous 4

8:46am Blest are the pure in heart

Composed by

William Henry Havergal

Performed by

Wells Cathedral Choir/Arhcer/Gough

8:48am Blazen muzh, Op. 37

Composed by

Sergei Rachmaninoff

Performed by

Handel & Haydn Chorus/Llewellyn

8:57am Misericordias Domine, K. 222

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Gloriae Dei Cantores/Vox Caeli Sinfonia/Pugsley

9:05am Cantata 88, "Siehe, ich will viel Fischer aussenden"

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Holland Boys' Choir/Netherlands Bach Collegium/Leusink

9:27am Chandos Anthem No. 07, "My song shall be alway" Psalm 89

Composed by

George Frideric Handel (1685–1759)

Performed by

The Sixteen/Christophers

9:50am Chester: Let Tyrants Shake their Iron Rods, and Slav'ry Clank her Galling Chains

Composed by

William Billings (1746-1800), arr. Barbara Harbach

Performed by

Barbara Harbach

9:56am Te Deum

Composed by

Anton Bruckner (1824-1896)

Performed by

Norman/Chicago SO & C/Barenboim

10:21am A Mighty Fortress Is Our God

Composed by

Joseph Joachim Raff (1822-1882)

Performed by

Basel Radio Symphony/Travis

10:42am Missa brevis

Composed by

Zoltan Kodaly (1882-1967)

Performed by

Brighton Festival Chorus/Heltay

11:14am Gott ist mein Hirt

Composed by

Franz Schubert (1797-1828)

Performed by

Choir of New College, Oxford/Higginbottom

11:20am Music selected by the announcer

11:39am Music selected by the announcer

12:00pm Septet in E flat, Op. 20

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Ensemble Walter Boeykens

12:44pm Swanilda’s Waltz from Coppelia

Composed by

Leo Delibes (1836-1891)

Performed by

Adelaide Symphony/Serebrier

12:48pm 3 Lyric Pieces, Book 2

Composed by

Edvard Grieg (1843–1907)

Performed by

Daniel Gortler

1:00pm Lute Suite in A minor (originally C minor), BWV 997

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Sharon Isbin

1:24pm Symphony No. 6 in B flat

Composed by

Samuel Wesley (1766-1837)

Performed by

Milton Keynes Chamber Orchestra/Wetton

1:46pm Concerto in E flat for 2 Horns from Tafelmusik

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

Capella Istropolitana/Edlinger

2:01pm Suite "William Byrd"

Composed by

Gordon Jacob (1895-1984)

Performed by

Eastman Wind Ensemble/Fennell

2:21pm Piano Trio No. 1 in D minor, Op. 32

Composed by

Anton Arensky (1861-1906)

Performed by

Bronfman/Lin/Hoffman

2:52pm Music selected by the announcer

3:00pm Symphony No. 38 in D, K. 504 “Prague”

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Berlin Philharmonic/Karajan

3:27pm Cello Concerto in A

Composed by

Giuseppe Tartini (1692–1770)

Performed by

Rostropovich/Collegium Musicum Zurich/Sacher

3:43pm Piano Trio No. 28 in D, Hob. XV:28

Composed by

Josef Haydn (1732-1809)

Performed by

Hantai/Hantai/Verzier

4:02pm String Quartet No. 6

Composed by

Heitor Villa-Lobos (1887-1959)

Performed by

Cuarteto Latinoamericano

4:28pm Piano Sonata No. 8 in C minor, Op. 13 "Pathetique"

Composed by

Ludwig van Beethoven (1770-1827)

Performed by

Alfred Brendel

4:49pm Pomona Waltz

Composed by

Emile Waldteufel (1837-1915)

Performed by

Slovak State Philharmonic/Walter

5:00pm Concerto in F for 3 Violins from Tafelmusik, Part II

Composed by

Georg Philipp Telemann (1681-1767)

Performed by

Capella Istropolitana/Edlinger

5:16pm Wind Quintet in G minor, Op. 56 No. 2

Composed by

Franz Danzi (1763-1826)

Performed by

Vienna Quintet

5:32pm Trumpet Concerto

Composed by

Johann Nepomuk Hummel (1778-1837)

Performed by

Hardenberger/Academy SMF/Marriner

5:51pm Music selected by the announcer

6:01pm Ego flos campi

Composed by

Jacob Clemens non Papa (c.1510-c.1556)

Performed by

Gesualdo Six/Park

6:07pm 2 Wedding Madrigals

Composed by

Cornelis Schuyt (1557-1616)

Performed by

Weser-Renaissance Ensemble Bremen/Cordes

6:18pm Sonata for solo violin No. 2 in A minor, BWV 1003

Composed by

Johann Sebastian Bach (1685-1750)

Performed by

Alon Sariel

6:43pm Concerto grosso in D, HWV 323

Composed by

George Frideric Handel (1685–1759)

Performed by

Balsom/Pinnock’s Players/Pinnock

7:01pm Piano Concerto No. 25 in C, K. 503

Composed by

Wolfgang Amadeus Mozart (1756-1791)

Performed by

Levin/Academy of Ancient Music/Egarr

7:31pm Castor and Pollux: Overture

Composed by

Georg Joseph Vogler (1749-1814)

Performed by

Munich Radio Orchestra/Griffiths

7:43pm Fantasy on Rossini’s “La Cenerentola”

Composed by

Gioachino Rossini (1792-1868), arr. Cornelia Sommer

Performed by

Sommer/Huang

7:53pm D’un cahier d’esquisses, L.112

Composed by

Claude Debussy (1862-1918)

Performed by

Tetreault/Hebert-Bouchard

8:01pm Violin Concerto in D minor, Op. 47

Composed by

Jean Sibelius (1865-1957)

Performed by

Jansen/Oslo Philharmonic Orchestra/Makela

8:35pm Quartet for Trumpet, Horn, Trombone, and Piano (2020)

Composed by

Andrew Lewinter (b.1966)

Performed by

Work/Garza/Jones/Dorman

8:53pm God Is Our Hope and Strength

Composed by

Philip Stopford (1977-)

Performed by

Jeffcoat/Choir of St Luke’s, Chelsea/Chelsea Camerata/Summerly

9:01pm A Song of Wisdom

Composed by

Charles Villiers Stanford (1852–1924)

Performed by

Choir of Westminster Abbey/O'Donnell

9:07pm Dreaming, Op. 15 No. 3

Composed by

Amy Beach (1867–1944)

Performed by

Alan Feinberg

9:15pm Mass in G minor

Composed by

Ralph Vaughan Williams (1872-1958)

Performed by

Elora Festival Singers/Edison

9:41pm Magnolia Suite

Composed by

R. Nathaniel Dett (1882-1943)

Performed by

Denver Oldham

10:00pm Missa Solemnis in E flat

Composed by

Johann Baptist Vanhal (1739-1813)

Performed by

Soloists/Prague Chamber Choir/Vituosi Di Praga/Neumann

11:10pm Amber Waves

Composed by

Morton Gould (1913-1996)

Performed by

National Symphony Orchestra of Ukraine/Kuchar

11:19pm Concerto for 2 organs arranged for guitar quartet

Composed by

Antonio Soler (1729-1783), arr. R. Gallery

Performed by

English Guitar Quartet

11:33pm Shenandoah

Composed by

Traditional American, arr. by Caroline Shaw

Performed by

Ma/Stott

11:39pm Music selected by the announcer