- 08/07 Forebears: Maria Callas, The Divine Voice Of Classical Music
- 07/20 Igor Stravinsky’s “Rite of Spring” at Burning Man
- 07/12 Rising-star cellist Bryan Cheng receives Michael Measures Prize
- 07/04 Putting ‘Don Giovanni’ on a Truck, and Returning Opera to Its Roots
- 06/27 A Life of Toscanini, Maestro With Passion and Principles
- 06/19 Thomas Allen: ‘I fly the flag for opera as a great art form'
- 06/12 Yekwon Sunwoo wins the Cliburn Piano Competition
- 06/01 Jiri Belohlavek, Czech Conductor, Dies at 71
- 05/26 A Fast-Rising Czech Conductor Leads the Philharmonic
- 05/19 Royal Albert Hall invites the public to share memories
- 05/12 A Valiant Return to the Met Opera: This Week’s 8 Best Classical Music Moments
- 04/27 Composer Max Richter’s top five lesser-known classical music picks
- 04/21 Bill Murray to release classical music album
- 04/12 Where Pianists Look When They Play
Hint: Not at their hands.
- 04/07 A Passion for Bach: why the St John belongs on the live stage at Easter
- 03/29 Early Music Vancouver's back to Bach headlines classical music blitz
- 03/17 where have classical music’s uppercase letters gone?
- 03/15 A New York Philharmonic Coup: Deborah Borda Is Named the New Leader
- 03/14 Stradivarius heard for first time since 1980 theft
- 03/08 Fanny Mendelssohn's getting her due
- 03/02 Orchestral librarians: In The Line Of Fire
- 02/18 Is Rossini’s Cinderella overrated?
- 02/10 Leontyne Price: The Voice We Still Love To Talk About
- 02/08 Remembering Nicolai Gedda, 91, Versatile Tenor Whose Career Spanned Fifty Years
- 02/02 An introduction to Samuel Coleridge-Taylor
- 01/26 Malala Yousafzai’s UN speech set to music
- 01/22 John Rutter: 'Money's like petrol. You only notice when the tank is empty'
- 01/19 Roberta Peters, Soprano With a Dramatic Entrance, Dies at 86
- 01/15 Royal Liverpool Philharmonic Orchestra/Petrenko
- 01/12 10 impossible classical masterpieces
- 01/05 Georges Prêtre: Conductor who forged a special partnership with Maria Callas in his 70-year career
- 01/03 Karel Husa, a renown Czech-born composer, spent his last years in Apex
- 12/26 Pianist Martha Argerich on remarkable career
- 12/25 Singers in Russian Military Choir Among 92 Feared Dead After Plane Crashes Into Black Sea
- 12/20 Royal Concertgebouw Orchestra, Gatti, Barbican
- 12/07 The Best Classical Music of 2016
- 12/05 BBC Radio 3 to record music by ‘lost’ female composers
- 11/29 Academic denies irresponsibility in Sotheby's Beethoven manuscript row
- 11/16 Music aficionados are reviewing this incorrect Beethoven t-shirt and it’s hilarious
- 11/06 Zoltán Kocsis, pianist and 'giant of music', dies aged 64
- 11/01 BBC Proms announces Dubai dates
- 10/16 10 Questions for Conductor Sir John Eliot Gardiner
- 10/09 RIP Peter Allen, a Voice on the Radio for the Met Opera
- 10/03 Sir Neville Marriner on studying violin during the Blitz
- 09/28 Simon Keenlyside in ‘Don Giovanni’ [ Video ]
- 09/16 St Kilda lost songs album tops classical music chart
- 09/09 Antonio Pappano on Norma
- 08/29 Female Conductors: time to take the baton
- 08/20 Jules Buckley, the Conductor who is on a mission to rid the Proms of its image
- 08/14 David Lang's 'the public domain' Beats the Heat
- 08/03 Grisey: Les Espaces Acoustiques CD review – profound and with a huge physical presence
WCPE: Rebroadcast Consent
To Whom it May Concern:
It is WCPE's Mission to make Great Classical Music available to everyone.
Blanket permission to, in real time, retransmit, relay, or rebroadcast WCPE without royalty to WCPE is granted to any entity (commercial, hobby, non-commercial, religious, subscription, etc.) legally disseminating, or enabling our dissemination, to the public.
WCPE is non-commercial so FCC 76.64 Retransmission Consent does not hamper you. Cable and video services can fill idle and pre-feed time with WCPE; TV stations can run WCPE audio over their idle cable feeds, and on-air prior to sign-on per FCC §73.653.
WCPE fully follows FCC regulations prohibiting calls to action promoting commercial enterprises. In accordance with applicable IRS and FCC rules, WCPE does not fundraise or solicit on behalf of other entities.
Although it is left to you, we prefer that analog systems carry WCPE in stereophonic, mono-compatible mode. For digital systems, we prefer for WCPE to be carried in multiple data rates and multiple formats. If you charge for your service, we greatly prefer that you offer WCPE to all on your basic tier, without surcharge, because WCPE is free to you.
We pay our applicable copyright fees. You must pay your applicable copyright fees whether you carry us or not. You must have an agreement with the licensing agencies or you must rely on a statutory license. You are legally bound to verify your own situation!
If you carry WCPE, you may use WCPE's logos and trade-marks, service-marks, and copyrights only in connection with publicity and promotion of WCPE on your system.
WCPE is offered without cost, and we intend to do our best to continue to make Great Classical Music available to everyone without cost or obligation.
As long as you do not use WCPE's signal in an illegal or derogatory manner, this permission remains in effect unless you are notified otherwise by us in writing.
Deborah S. Proctor
Addenda, effective December 02, 2011 forward:
Metropolitan Opera: Broadcast stations and cable systems that rebroadcast WCPE and wish to carry programming from the Metropolitan Opera must annually obtain separate permission and registration from the Metropolitan Opera. Information about broadcast agreements may be obtained from the Metropolitan Opera by calling (212) 799-3100.